This Yoruba woman has no formal education, yet lectures at Harvard University

by Anike Jacobs

the woman

Get ready for some early morning inspiration.

Not many in her homeland appear to know Nike Okundaye, the face behind the huge success story of Nike Arts Gallery, located in Lagos, Abuja and Osogbo, but in other lands, especially Europe and America, she is a ‘goddess’ whose works are cherished by kings and presidents.

Nike never went to school to study art, but the vocation that has brought her to global spotlight.

Vocational training in art was passed down to her by her great grandmother, the late Madam Ibikunle.

Read her inspiring story as told to the Nation newspaper below:

“I come from a family of craftsmen. My parents were crafts people from Ogidi in Ijumu Local Government Area, Kogi State. My life as an artist is something that I was born with. I started weaving at the age of six.

“I started with weaving different things, including adire, a traditional Yoruba hand-painted cloth design. As a matter of fact, I can say everything that had to do with textile. They taught me how to weave, using a little calabash. Gradually, I graduated to using bigger materials. My grandmother was the head of all the weavers in our community.

So, even as a little child, I already had a dream that I would own a big studio when I grew up. People came from different areas to buy the cloth from her. So, at that time, I already sensed that I might not have the opportunity to go to school.”

Nike spent the early part of her life in Osogbo, a recognised hotbed for art and culture in Nigeria. During her stay in Osogbo, her informal training was dominated by indigo and adire.

Nike’s romance with international exposure began in 1968 when she had an exhibition at the Goethe Institute in Lagos. Since then, she has grown to become a major name on the international art circuit. She is most outstanding in paintings and design of adire, beadwork and batik.

Among Nike’s proudest achievements was her invitation to Italy by the Italian government in 2000 to train young Nigerian sex workers on how to use their hands to engage in creative ventures. Her invitation was as a result of complaints to the Italian government by the young Nigerians that they left Nigeria in search of work, not knowing what they would be forced into. When Nike got to Italy, she taught them skills in craft making and many of the women became self-reliant in no time and stopped their old means of income.

In 2006, she was awarded one of the highest Italian national awards of merit by the government of the Republic of Italy in appreciation of her efforts in using art to address and solve the problems of Nigerian sex workers in Italy.

“When President Bill Clinton of the US visited Nigeria, he asked to meet the woman behind Nike Gallery, and I was taken to Abuja to meet him. It was the same thing with President George Bush. I was invited to meet him in Abuja during his visit to Nigeria. I was the one that decorated the room where the president stayed during the visit. What honour can be greater than this? I feel accomplished.”

“I have lectured and held workshops in several noble institutions across the world. Some of the universities include Harvard, Columbus, Edmonton, Ohio and in Los Angeles, among others. My first experience with teaching was in 1974. At that time, I taught people with doctoral degrees.”
Interestingly, all the education she had at the time, according to her, was the traditional education that parents pass onto their children.

“The type of education I had at the time was the education that is passed from parents to their children, not the education you get in a classroom. It was the practical type of education.
“The gallery you see today actually started in my bedroom in 1968. In 2008, we opened the one in Lagos, and my husband was always the motivator. It was intended to give the young and old a platform to hear their voice.”

Nike, who would be 64 in a couple of weeks, has also successfully created an identity for herself. Her most treasured clothes, she confessed, are adire fabrics. And it is not surprising that she cannot remember the last time she wore anything other than that.

“You may be right if you say I have created an identity for myself with my adire clothes. It is the only thing that I am known with. I don’t wear any other clothe, even when I travel out of the country,” she said.

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