Category: Wilfred’s Cutting Floor

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Wilfred OkicheNovember 16, 2019

Theatre Review: A man who is not a man – Bolanle Austen Peters’ Man Enough

It is almost impossible to navigate the great wide streets of the Internet these days, without coming across the hashtags ...

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Wilfred OkicheNovember 11, 2019

Nigerian cinema was in focus at the Carthage Film Festival. What are the lessons learned?

The 30th edition of the Carthage Film Festival, also known as the Journées Cinématographiques de Carthage was held in Tunis ...

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Wilfred OkicheOctober 5, 2019

Living In Bondage: Breaking Free: How this Nollywood big budget sequel became the year’s most anticipated film

This year, box office returns for Nigerian films have been far from remarkable. But come 8, November 2019, Play Entertainment ...

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Bernard DayoOctober 4, 2019

5 top Nollywood movies to watch in October

Because it’s the month of horror, I watched Kunle Afolayan’s The Figurine and it was pretty decent. Then I paid ...

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Wilfred OkicheSeptember 10, 2019

Theatre Review: ”The Wives” is a near perfect outing

Fresh off her stage directing debut with the dramedy, Lavender which premiered at the Lagos Theatre Festival in April, thespian ...

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Wilfred OkicheSeptember 4, 2019

”Walking With Shadows” is proof that Funmi Iyanda is still invested in telling human interest stories

It is a long way from Lagos to London, but when the 63rd London Film Festival unveiled its programme for this year’s ...

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Wilfred OkicheAugust 19, 2019

Locarno 2019: Diego Maradona, Baamum Nafi, Parasite come up top as best films

The 72nd edition of the Locarno film festival, the first under new artistic director Lili Hinstin was held from the ...

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Wilfred OkicheJuly 28, 2019

Theatre Review: Forget Game of Thrones, Jagagba is the real deal

The winning play of the second edition of the Bikiya Graham-Douglas run Beeta Universal Arts Foundation playwright competition was staged ...

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Wilfred OkicheJune 24, 2019

Film Review: Kunle Afolayan’s Mokalik isn’t quite a return to form

He may not know it, but Kunle Afolayan has been in need of artistic redemption since he followed up the ...

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Wilfred OkicheJune 15, 2019

Film Review: Makate must sell will waste your time, and test your last nerve

Forget the colorful marketing, the glossy rom-com ad-spin and the parade of comic heavy hitters, there is almost nothing redeemable ...

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Wilfred OkicheJune 13, 2019

Film Review: In Katung Aduwak’s Heaven’s Hell, the rich also cry

If you scored a thousand Naira for every time the f… word was uttered in Heaven’s Hell, the long gestating ...

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Wilfred OkicheJune 12, 2019

Film Review: Chico Ejiro’s Night bus to Lagos is going nowhere

There was a period between the late nineties and early aughts when Chico Ejiro was easily the most influential figure ...

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Wilfred OkicheJune 11, 2019

Profile: Naira Marley may have played himself. But can he still win?

The 2018 World Cup wasn’t a memorable outing for the Super Eagles of Nigeria. Dumped out at the group stage ...

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Wilfred OkicheJune 3, 2019

Film Review: Knockout wants to make you laugh. What’s wrong with that?

It is hard to recall considering today’s fragmented media space but there was a time when Wale Adenuga Productions was ...

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Wilfred OkicheMay 27, 2019

Film Review: Tade Ogidan mastered video, but Gold Statue shows he is yet to find his cinematic voice

When it comes to Nollywood movies, the name Tade Ogidan is about as iconic as it gets. Since he put ...

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Wilfred OkicheMay 20, 2019

Profile: Godwin Emefiele; master of the political long con

Since the act establishing the Central Bank of Nigeria (CBN) was implemented in July 1959, only two Governors have been ...

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Wilfred OkicheApril 22, 2019

Film Review: Nimbe assaults you with overt moral lessons, but isn’t that all of Nollywood

The protagonist for which Nimbe: The movie is named after is a high school student growing up somewhere in southwest ...

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Wilfred OkicheApril 21, 2019

Film Review: Isn’t Nollywood tired of derivative films like ‘Zero Hour’?

Forget everything you saw in Lionheart. When in Nollywood, a young man returns from the United States of America to ...

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Wilfred OkicheApril 20, 2019

Film Review: 4TH Republic is an explosive ride through political Nigeria

Art imitates life in 4th Republic, the twisty political thriller directed by Ishaya Bako and truth is, no fiction is ...

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Wilfred OkicheApril 11, 2019

Art imitates life in Ifeanyi Dike Jr.s stunning career

Ifeanyi Dike Jr. has come a long way from his days shuttling between Igbinedion University, Okada and Lagos to audition ...

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Wilfred OkicheApril 1, 2019

Film Review: See The Big Fat Lie only at your own risk

Another day another insipid Nollywood comedy. And how we’ve come to dread them. This time around Darasen Richards directs Rita ...

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Wilfred OkicheMarch 25, 2019

Film review: Mr President doesn’t take itself seriously. You shouldn’t either

No better time than election season to usher in a parody of actual political happenings. Mr President (The Controversial Election) ...

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Wilfred OkicheMarch 21, 2019

Film Review: Being Annabel should have gone straight to video

Identical twins have been a mainstay of film culture for so long that stories involving look alikes and mistaken identity ...

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Wilfred OkicheMarch 10, 2019

Film Review: Void is a surprising psychological drama

In Void, the new psychological drama produced by actor Frederick Leonard and directed by Eneaji Chris, troubling signs arrive early ...

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Wilfred OkicheFebruary 17, 2019

#Berlinale2019: Of fathers and their sons: Chiwetel Ejiofor’s The Boy who Harnessed the Wind

Editor’s Note:  Our in-house critic, Wilfred Okiche, was invited to the 2019 Berlinale Film Festival as part of its Berlinale ...

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Wilfred OkicheFebruary 16, 2019

#Berlinale2019: Books, lies and videotape- Review of The Plagiarist

Director Peter Parlow attempts a deep dive into the creative mind, trying out a series of ideas before settling on ...

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Wilfred OkicheFebruary 15, 2019

#Berlinale2019: Sex and the City: A review of Tamer Jandali’s Easy Love

Editor’s Note:  Our in-house critic, Wilfred Okiche, was invited to the 2019 Berlinale Film Festival as part of its Berlinale ...

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Wilfred OkicheFebruary 14, 2019

#IFFR2019Review: Rosamund Pike is terrific in A Private War

Editor’s Note:  Our in-house critic, Wilfred Okiche, was invited to the 2019 International Film Festival Rotterdam as part of its ...

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Wilfred OkicheFebruary 6, 2019

#IFFR2019: Wanuri Kahiu’s Rafiki is vivid and technically accomplished

Editor’s Note:  Our in-house critic, Wilfred Okiche, was invited to the International Film Festival Rotterdam and is sending dispatches from ...

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Wilfred OkicheFebruary 5, 2019

#IFFR2019Review: Fear and loathing in Ulaa Salim’s Sons of Denmark

Editor’s Note:  Our in-house critic, Wilfred Okiche, was invited to the International Film Festival Rotterdam and is sending dispatches from ...

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