We hear it’s assembled from a montage that doesn’t exist in the final cut of the film, but it looks so good it makes us even more eager to the see the final film.

Sure, it’s a bit hammy in its messaging. The entire thing just seems to be trying very hard to tug at our heartstrings. But maybe that’s the point. And what does it matter, when it actually succeeds at doing just that? It might be early to say, but we think the writer, Tomi Adesina and Director Asurf Oluseyi (who also doubles as Producer) have something special on their hands.

Editor